Uzbek subtitling services

The one the standard names, U+02BB, unless your house style says otherwise. Oʻ and gʻ are letters rather than a vowel with something added, and the mark that completes them has its own character. A separate one, U+02BC, belongs inside loanwords and does an unrelated job. We set the choice at the brief, write it into the project glossary and apply it everywhere.

Not yet, and we will tell you when it does. The Senate approved a 28-letter version that replaces oʻ and gʻ with ö and ğ, and sh and ch with ş and ç, but it still needs the president's signature and the changeover is staged over several years. We keep delivering what your project publishes in today, and we can produce the new alphabet as soon as you want it.

Because it is two different words as far as the tool is concerned. If one cue writes a straight mark, another a curly one and a third the proper character, a search, a glossary check or a terminology pass has no way to see them as a match. That is the practical cost of the variation, and normalising it before QA runs is what makes the rest of the checks worth anything.

Yes, and it is routine work. Replacing them is not a blanket find and replace, because the character standing in for oʻ and gʻ is not the character standing in for the mark inside a loanword, and the two need separating word by word. A native Uzbek subtitler does that pass, then the file goes through the same timing and technical QA as anything else.

It starts at £20 for each minute of running video. Duration is the biggest variable, followed by whether a transcript has to be produced first, whether the order includes an accessibility version or a burnt-in master, and how many formats you want out the other end. Normalising the spelling and holding it across a series comes with the rate. Quotes arrive broken down, with the Price Match Promise attached.

Yes, that is a steady part of our Uzbek work. Same-language captions and SDH give you the dialogue with speaker labels and the sounds a viewer cannot hear, which is what an accessibility review checks for. The spelling pass on this page applies identically, and in practice it matters more on a same-language file, because that text has usually come from an Uzbek keyboard rather than a translator's.

Definitely send it. Our subtitlers spot it to picture and rebuild the lines, and the opening move is a sweep of every oʻ and gʻ in the file, since an inherited document almost never uses one character from start to finish. That sweep is also the fastest way to tell how carefully the file was made. Where nothing exists, we transcribe the Uzbek audio here.

They do, in SRT, VTT, STL or TTML, into Premiere, Resolve, Final Cut, Avid and the caption editors the platforms provide. The risk to watch for sits elsewhere: any tool in the chain that tidies typography when it saves is capable of turning the correct character into a lookalike without telling anyone. A burnt-in master removes that possibility if the chain is long.