The team behind the voices

We work in 100+ languages and regional varieties — from Spanish, French, German, Mandarin and Arabic to smaller, harder-to-source languages — always with native speakers cast and directed in-house, so terminology, register and accent match the market rather than reading like a translation. Not sure which variety you need (European vs Latin American Spanish, Mandarin vs Cantonese, Brazilian vs European Portuguese)? Tell us the target market and we'll confirm the right one. You can browse the full table of languages and services.

Yes — two central-London recording studios in Stockwell, custom-built with Neumann microphones, Pro Tools HD and in-house sound engineers. You can attend your session in person or direct it live from anywhere via Source Connect. Owning our recording studios means we control quality end to end and turn projects around fast, rather than booking third-party rooms — and for other territories we connect you to a vetted global network of studios and talent.

Most voice over projects are delivered within 24–48 hours of sign-off, and short documents or subtitle files often the same day. Turnaround depends on volume, languages and complexity, but fast delivery is one of the things clients thank us for most — tell us your deadline and we'll build the schedule around it. If it's genuinely urgent, say so when you enquire and we'll flag rush options.

Send your script, brief or files and a dedicated project manager comes back with an itemised, no-obligation quote — usually the same working day. Quotes are free and backed by our Price Match Promise: find a like-for-like price lower and we'll match it. Still pitching and haven't signed off budget? Tell us and we'll give you a figure you can put in front of your own client. Get a quote, or call +44 207 095 5730.

Everything for audiovisual localisation, under one roof in London: voice over, dubbing and ADR; subtitling, closed captioning and SDH; audiovisual translation and transcription — all in 100+ languages. Because one team runs the whole chain to a single shared glossary, a product name or key line reads the same whether it's heard or read, and you deal with one project manager from script to final delivery.

We publish our rates rather than hiding them behind a form. Subtitling £15–£20 per minute depending on language, transcription £8–£10 per minute, translation £0.145–£0.25 per source word, and dubbing £60–£180 per finished minute. Voice over is quoted as a Basic Studio Fee plus usage, because what a recording costs depends on where it runs and for how long. Those figures are a guide, not a quote: send the actual file and an itemised figure comes back from a person. See the full rate card or get a quote.

Yes. Our two Stockwell studios can be booked for your own recording, and the Basic Studio Fee starts at £400 per studio hour, with usage quoted separately. Each booth has Neumann microphones, Pro Tools HD and a sound engineer on hand, client seating so you can direct in the room, and Source Connect, Zoom or Teams if you would rather direct from your desk. Tell us the date and the session length and we will confirm availability — see the studios or call +44 207 095 5730.

Yes, and it is one of the things we do most. One project manager runs the whole set: translation and adaptation to a shared glossary so the product names stay fixed, native voice talent cast per market, recording in our own London booths or through our vetted global network, and every language delivered to the same spec on the same schedule. You approve the voices before anything is recorded. Send the script and the language list for an itemised quote.

The studio fee pays for the recording; the usage fee pays for the right to run it — and it is priced by media, territory and licence term, which is why a single figure for a voice over can be misleading. Internal and e-learning use is normally the cheapest; TV, cinema, radio and games cost more and we quote those per project rather than from a table. Work out a figure yourself with the usage fee calculator, and we will confirm it against the actual brief.

Yes — a large share of our work comes through production companies, creative agencies and post houses who need a campaign versioned for several markets and do not want to coordinate four suppliers to do it. You keep the client relationship; we take the master and hand back every language to your spec, on your deadline. We are used to broadcaster and platform delivery requirements, so files come back compliant rather than rejected.

It depends on the service, and we say so plainly: voice over — an audio file; translation — a translated document (Word, Excel or whatever you sent); subtitling — an SRT or another subtitle file, which is a text file; transcription — a timed or untimed transcription. Tell us the format your platform or broadcaster needs and we deliver to that spec, including burnt-in subtitles, M&E stems or split audio tracks where the job calls for it.

Yes. Files are handled on encrypted transfer, we sign your NDA — or provide ours — before anything is sent, and source material is deleted on delivery unless you ask us to retain it for a follow-up version. Unreleased campaigns, embargoed announcements and pre-broadcast programming are routine here, and the team is briefed accordingly.