Assamese transcription services

Not quite, and the distinction matters more than it sounds. The two scripts belong to the same Eastern Nagari family and share over 90% of their characters, but Assamese uses ৰ for the /r/ sound where Bengali uses র, and Assamese has an additional letter, ৱ, that Bengali does not have. Calling it the Bengali script is the shorthand that leads to transcripts typed with the wrong characters.

By reading it, you wouldn't — and that is the problem. The document looks like correct Assamese. What breaks is everything mechanical: searching the file returns nothing, comparing it against a reference does not match, and any downstream step that relies on the text, such as indexing, translation memory or subtitle conversion, inherits the fault. We type in the Assamese script from the start and verify at character level rather than by eye.

We don't work that way. Assamese and Bengali are separate Eastern Indo-Aryan languages with different phonology, different vocabulary and, as above, different alphabets. A Bengali speaker will follow a good deal of Assamese, which is exactly what makes the shortcut tempting, and the result is a transcript with recurring errors that read as plausible. We assign native Assamese transcribers.

Worth checking, and we check it as a matter of course. Assamese works as a lingua franca across much of the northeast, but Nagamese, an Assamese-based creole, is widely used in Nagaland, and Nefamese is a pidgin used in Arunachal Pradesh. Field recordings in particular can turn out to be one of these. We would rather tell you at the briefing stage than halfway through a delivery.

Tell us the convention you want and we will apply it consistently. Assamese has a voiceless velar fricative — the /x/ sound behind speakers calling the language Ôxômiya rather than Asamiya — that has no settled English spelling, so romanised names can be written several defensible ways. What matters for a usable document is that one way is chosen and held to across every file in the project.

Automated models for Assamese are trained on far less data than for major languages, and many of them fall back on Bengali resources, which reproduces exactly the script problem described above at scale. Add the regional varieties spoken across the northeast and the correction pass ends up longer than transcribing natively in the first place.

It is normal work. Phone audio, site noise, focus groups and meetings where three people speak at once all get transcribed here; what changes is how long it takes and how much of it a second pass has to resolve. Where a passage is genuinely inaudible we mark it rather than guess, with a timecode so you can check it yourself.

Yes. Send a sample first and we listen to it before quoting, then tell you straight what we expect to get and what we do not. That is a better conversation before you book than after the transcript arrives.

Yes, as a source transcript, an English translation, or the two side by side. The same native transcriber produces the source text and a separate qualified translator works from the original audio rather than from the transcript alone, which is what keeps a mishearing from travelling into the translation.

Clean read suits corporate video, interviews for publication and anything heading for translation: filler words and false starts come out, the meaning stays. Verbatim is what legal proceedings, compliance material and research interviews need, because every utterance and pause is on the record. Your project manager confirms the choice against your end use before work starts.

Yes. Files are uploaded through an encrypted system, handled by a named transcriber under NDA, and never fed into public speech-to-text tools. We can sign your own confidentiality agreement, work to your retention rules and delete everything on delivery.

Every file is quoted on its own terms. Runtime, audio quality, how many people are speaking, the turnaround you need and whether you also want a translation all move the figure, so there is no flat per-minute rate that would be honest across all of them. Send us a sample and we will come back with an exact, itemised number, backed by our Price Match Promise.

Most short files come back within 24 to 48 hours. Length, audio quality and whether you need time-coding or full verbatim all affect it, and a large multi-speaker project is scheduled rather than rushed. Your project manager confirms the timeline before work starts, not after.

In whatever the next step needs: plain text, Word, PDF, Excel, SRT, VTT or your own template, with timecodes and speaker labels set the way you want them. Tell us what happens to the transcript after we send it and we format it for that, rather than handing you a file you have to rework.

Less than people expect: the recording, or even a few minutes of it, its total running time, roughly how many people are speaking, and whether you want verbatim or clean read. Poor audio does not stop a quote, it only changes it, so send it as it is rather than trying to clean it up first. A named project manager comes back with an itemised quote, normally within four working hours.

More than half of enquiries get a reply within thirty minutes during office hours (Monday to Friday, 9am to 6pm UK time), and the itemised quote normally follows within four working hours. After that you have one dedicated project manager who owns the job from brief to final file — not a ticket queue, and not a different name on every email. If it is easier, call +44 207 095 5730 and ask for them by name.

Yes, and it is one of the commonest reasons people get in touch. Tell us it is for a pitch and you get a figure you can put in front of your own client, itemised so it stands up to being picked apart, with no obligation and no follow-up sales calls if the pitch goes elsewhere. If it lands, the quote still holds and we already know the project.

Send it over. Our Price Match Promise covers like-for-like work, and because our quotes are itemised you can see exactly what is being compared — which is usually where the gap turns out to be, in a revision pass, a licence or a delivery format that the cheaper figure quietly left out. If it really is the same work for less, we match it.

Yes, and we would often suggest it. One episode, one module, one commercial tells you more about whether we are a fit than any showreel, and it prices the rest of the run properly instead of by estimate. Bigger projects are then planned in clear milestones, so you are signing off the transcripts as they arrive rather than all of them at the end.