Croatian voice over services

Yes, and it is the distinction most often skipped. Audio guides, destination marketing and hospitality content are frequently produced to be heard by visitors rather than Croatians, which changes the pacing, the assumptions and often the language itself. Tell us who the recording is actually for and we will cast and direct for that audience.

Only deliberately. The standard is based on Štokavian with ijekavian forms and is what national broadcast uses. Kajkavian around Zagreb and Čakavian along the coast are genuinely distinct and audible, so they work when content is tied to those places and distract when it is not. We will raise it rather than let it arrive by accident.

Technically speakers of all three understand one another, so a single recording will be comprehensible across the region. But each has its own standard and its own vocabulary preferences, and audiences notice. For anything customer-facing we recommend casting separately for each market. If budget forces a choice, tell us which market matters most and we'll cast for that one and flag the trade-off.

No. Croatian uses the Latin alphabet exclusively, with the additional letters č, ć, đ, š and ž. Serbian is written in both Cyrillic and Latin. If your project involves on-screen text as well as voice, the script choice is worth confirming before you start.

Yes, voices from Croatia rather than the wider region. Send us the brief and we'll shortlist and record auditions using your script so you hear the Croatian standard, not an approximation of it.

Common projects include TV and radio commercials, tourism and hospitality content, corporate and e-learning video, EU institutional material, pharmaceutical and medical content, video games, and IVR/phone systems aimed at Croatia and the Adriatic region.

Yes. We handle the full job — translation and script adaptation by native linguists, Croatian voice over, and subtitles or captions — so everything is consistent.

Most short Croatian voice over projects are delivered within 24 to 48 hours; larger jobs are scheduled with your dedicated project manager.

Yes — join us in London for the Croatian session, or direct it live over Source-Connect, Zoom or Teams and steer the read from wherever you are.

Files arrive in the format your workflow expects — WAV, MP3 or split stems — mastered to your loudness spec. Send the delivery requirements with the brief and we will match them exactly.

Less than people expect: the script, or the draft of it, its total running time or word count, where the recording will be used, and the date you need it by. If the script is not signed off yet, send the draft anyway — we would rather quote on what exists than wait for a version that eats your deadline. A named project manager comes back with an itemised quote, normally within four working hours.

More than half of enquiries get a reply within thirty minutes during office hours (Monday to Friday, 9am to 6pm UK time), and the itemised quote normally follows within four working hours. After that you have one dedicated project manager who owns the job from brief to final file — not a ticket queue, and not a different name on every email. If it is easier, call +44 207 095 5730 and ask for them by name.

Yes, and it is one of the commonest reasons people get in touch. Tell us it is for a pitch and you get a figure you can put in front of your own client, itemised so it stands up to being picked apart, with no obligation and no follow-up sales calls if the pitch goes elsewhere. If it lands, the quote still holds and we already know the project.