Serbian voice over services

Both are correct and both are widely read in Serbia. Cyrillic is the constitutionally official script and is expected for public-sector, institutional and formal content. Latin is more common in commercial, technical and online contexts, and travels better across the region. Tell us your audience and channel and we'll advise — for voice over it makes no difference to the recording, but it matters for subtitles and on-screen text.

Comprehension is not the issue — a Belgrade read is understood in Zagreb and Sarajevo without difficulty. Reception is the issue. Each standard has its own preferred vocabulary and its own history attached to it, and audiences are alert to which one they are being addressed in, particularly in advertising and public communication. Internal or technical content often travels fine on one recording; anything customer-facing generally should not. Tell us the markets and we will say plainly where you can economise and where you should not.

Yes, native Serbian voices, and we work from a script in either Cyrillic or Latin. Send us the brief and we'll shortlist and record bespoke auditions.

Common projects include TV and radio commercials, corporate and e-learning video, automotive and manufacturing content, telecoms and banking campaigns, video games, and IVR/phone systems aimed at Serbia, Montenegro, Bosnia and the diaspora.

Yes, and the script question comes up here more than anywhere: Serbian is written in both Cyrillic and Latin, and which one belongs on screen depends on the audience and sometimes on the client's own style guide. We will ask before we caption anything.

A short Serbian read is normally back the next working day; longer sets get a booked date from your project manager.

Yes. Join us in London or dial in on Source-Connect, Zoom or Teams and direct from wherever you are.

We work to your delivery document rather than a house standard: WAV or MP3, stems on request, and the sample rate, bit depth and loudness your platform demands.

Send it over. Our Price Match Promise covers like-for-like work, and because our quotes are itemised you can see exactly what is being compared — which is usually where the gap turns out to be, in a revision pass, a licence or a delivery format that the cheaper figure quietly left out. If it really is the same work for less, we match it.

Less than people expect: the script, or the draft of it, its total running time or word count, where the recording will be used, and the date you need it by. If the script is not signed off yet, send the draft anyway — we would rather quote on what exists than wait for a version that eats your deadline. A named project manager comes back with an itemised quote, normally within four working hours.

More than half of enquiries get a reply within thirty minutes during office hours (Monday to Friday, 9am to 6pm UK time), and the itemised quote normally follows within four working hours. After that you have one dedicated project manager who owns the job from brief to final file — not a ticket queue, and not a different name on every email. If it is easier, call +44 207 095 5730 and ask for them by name.

Yes, and it is one of the commonest reasons people get in touch. Tell us it is for a pitch and you get a figure you can put in front of your own client, itemised so it stands up to being picked apart, with no obligation and no follow-up sales calls if the pitch goes elsewhere. If it lands, the quote still holds and we already know the project.