Armenian voice over services

Eastern if the audience is in Armenia or Iran; Western if it is the diaspora — Lebanon, Syria, the United States, France, Argentina. They are separate standard varieties rather than accents: they differ in consonant voicing and in parts of the verb system, so a recording in the wrong one cannot be adjusted, it has to be redone. Tell us the audience and we cast accordingly.

Yes, and it is the most common mix-up we see. The variety should follow the audience, not the commissioner. A diaspora organisation producing for Armenia needs Eastern; the reverse is equally true. It is worth stating the target audience explicitly when you brief us rather than letting it be inferred.

No. Armenian sits on its own branch of Indo-European with no close relatives, and it has its own alphabet. Contact with neighbouring languages has left loanwords, but nothing that makes a speaker of one able to record the other. We cast native Armenian speakers.

Armenian script. Transliteration is a particularly poor fit for this language, because it is ambiguous about exactly the consonant distinctions that separate Eastern from Western — the same transliterated word can point to either. If you only have a transliterated version, send it and we will have a native linguist prepare a proper script first.

Yes, with native Armenian linguists. We will ask which variety before starting, because a translation written for Eastern and one written for Western are genuinely different documents rather than the same text with substitutions. Settling it first avoids paying for a conversion pass afterwards.

Yes, and for Armenian that is the usual arrangement — our Armenian talent records through our global network rather than in London. You can direct live over Source-Connect, Zoom or Teams so you hear takes as they happen and can adjust on the spot.

Yes. We run a dedicated Armenian transcription service covering both Eastern and Western, so if your project needs transcripts as well as a recording, the same team handles both and the terminology stays consistent between them.

Corporate video and internal communications, eLearning and training, community and cultural content, museum and heritage audio guides, public-information material, documentary narration, and broadcast and diaspora media.

WAV, MP3 or stems to broadcast standard, matched to your platform's numbers. Include the delivery spec with the brief.

Less than people expect: the script, or the draft of it, its total running time or word count, where the recording will be used, and the date you need it by. If the script is not signed off yet, send the draft anyway — we would rather quote on what exists than wait for a version that eats your deadline. A named project manager comes back with an itemised quote, normally within four working hours.

More than half of enquiries get a reply within thirty minutes during office hours (Monday to Friday, 9am to 6pm UK time), and the itemised quote normally follows within four working hours. After that you have one dedicated project manager who owns the job from brief to final file — not a ticket queue, and not a different name on every email. If it is easier, call +44 207 095 5730 and ask for them by name.

Yes, and it is one of the commonest reasons people get in touch. Tell us it is for a pitch and you get a figure you can put in front of your own client, itemised so it stands up to being picked apart, with no obligation and no follow-up sales calls if the pitch goes elsewhere. If it lands, the quote still holds and we already know the project.