Australian voice over services

For anything customer-facing, no. Australian audiences hear an approximated accent straight away, and advertising delivered in a non-local accent tends to be tuned out rather than tolerated. We cast native Australian speakers and direct them for the register your content needs.

Rarely. The choice that matters on most briefs is register rather than region: a neutral urban read for corporate and training, a broader and more relaxed one for commercials and community content. Tell us the audience and the effect you want and we cast to that brief.

Australian English is what this page covers. Aboriginal and Torres Strait Islander languages such as Kriol, Warlpiri and Arrernte are separate languages rather than accents of English, and they need their own speakers. If your project needs one, tell us the specific language and the community it is for and we will come back to you honestly about what we can arrange.

Often, yes. If your content is going out across several anglophone markets, a set of native reads lands better than one accent stretched to cover everything. Tell us the full list up front and we schedule the sessions together, which is usually cheaper than commissioning them separately.

Usually with a light touch. Timings carry across, since it is the same language, but some everyday vocabulary reads as imported. We can run a short adaptation pass with a native before the session so the read sounds natural.

Corporate video and internal communications, eLearning and compliance training, advertising aimed at the Australian market, tourism and destination content, mining and resources material, documentary narration, and film and television where a character has to sound Australian.

Most short Australian projects are delivered within 24 to 48 hours; longer or multi-voice work is scheduled with your dedicated project manager, who confirms a firm date up front. The time difference is handled at our end.

Yes. In person in London or live over Source-Connect, Zoom or Teams — either way you hear every Australian English take as it happens and can redirect.

We follow your delivery document for the Australian English files rather than imposing a house format: WAV or MP3, stems if you ask, at the sample rate, bit depth and loudness it specifies.

Less than people expect: the script, or the draft of it, its total running time or word count, where the recording will be used, and the date you need it by. If the script is not signed off yet, send the draft anyway — we would rather quote on what exists than wait for a version that eats your deadline. A named project manager comes back with an itemised quote, normally within four working hours.

More than half of enquiries get a reply within thirty minutes during office hours (Monday to Friday, 9am to 6pm UK time), and the itemised quote normally follows within four working hours. After that you have one dedicated project manager who owns the job from brief to final file — not a ticket queue, and not a different name on every email. If it is easier, call +44 207 095 5730 and ask for them by name.

Yes, and it is one of the commonest reasons people get in touch. Tell us it is for a pitch and you get a figure you can put in front of your own client, itemised so it stands up to being picked apart, with no obligation and no follow-up sales calls if the pitch goes elsewhere. If it lands, the quote still holds and we already know the project.