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Voice actor at the microphone during a Belarusian recording session

Voice Over · Belarusian

Belarusian voice over services

Native Belarusian voice over for cultural and heritage content, broadcast, documentary, corporate video and diaspora media. We'll ask which orthography you want before we record — because in Belarusian that is a real choice.

2

Orthographies in current use

1918

Year the classical norm was set

48h

Delivery

Native Belarusian speakers only
Broadcast-quality studios
Directed to your brief
Dedicated project manager
Trusted by global brands
Native Belarusian speakers only
Broadcast-quality studios
Directed to your brief
Dedicated project manager
Trusted by global brands

Calling Belarusian voice talent

We're expanding our Belarusian roster

Belarusian is a language we're actively growing. If you're a Belarusian voice actor, we'd love to hear your demos and put you forward for paid work.

Join our roster

About the language

Two spellings, and choosing one says something

Belarusian is an East Slavic language, alongside Russian and Ukrainian. Most of the work we see in it is cultural and heritage content, documentary, broadcast, diaspora media and corporate material for organisations with a Belarusian-speaking audience.

The first thing to settle is one almost no client knows to ask about. Belarusian has two orthographies in active use. Narkamaŭka is the official standard, produced by the 1933 reform, and it is what textbooks, state institutions and official media use. Taraškievica, sometimes called the classical orthography, goes back to Branislaŭ Taraškievič's 1918 grammar and is kept alive by parts of the diaspora and by independent publishing.

These are not style preferences. The same script set in one or the other places the speaker for a Belarusian reader, and tells them something about who is talking before a word of content lands. For voice over it shapes pronunciation choices too. We ask which one you want at the brief stage rather than picking for you, and if you do not know, tell us who the audience is and we will explain the trade-off.

The second thing worth naming: Russian dominates public life in Belarus, and nearly everyone understands it. So commissioning Belarusian is not usually a decision about comprehension — the message would land in Russian too. It is a decision about positioning, and audiences read it as deliberate. That changes how the read should be directed: it needs to carry the weight of a choice that was made on purpose, not sound like a default.

There is a practical corollary. Trasianka — the mixed Belarusian-Russian speech common in everyday use — is what an under-directed read drifts into. It is perfectly normal in conversation and quite wrong in institutional or cultural material, so it is one of the things we listen for.

Tell us what you are making before you settle how to make it. We look at it for nothing, tell you what needs settling before recording, and price the job with everything broken out. And a free casting on top — your script, read by the Belarusian voices we would put forward, so the choice rests on your material. Ask about Belarusian voice over, or send the brief and we will reply with a shortlist.

Request a Belarusian voice
Voice actor and director reviewing a script together before a recording session

Getting Belarusian right

Worth settling before the session

Two questions decide most Belarusian projects, and neither is about accent.

Pick the orthography deliberately

Narkamaŭka is the official standard; taraškievica is the classical norm kept by the diaspora and independent media. Your audience notices which one you used.

Belarusian is a positioning choice

Russian would be understood. Choosing Belarusian is read as intentional, so the delivery should sound considered rather than routine.

Watch for drift into trasianka

Mixed Belarusian-Russian speech is ordinary in conversation and wrong in institutional content. We direct against it and check for it on the way out.

Russian is not a substitute

Related, widely understood, and a completely different signal. If you need both, we record each on its own roster and can schedule them together.

How we can help

One partner for the whole Belarusian job

1

Voice over & narration

Native Belarusian for cultural and heritage content, documentary and broadcast, corporate video and diaspora media, directed for a consistent register throughout.

2

Translation & script adaptation

Belarusian translation by native linguists, delivered in the orthography you have chosen rather than converted afterwards.

3

Subtitling & captions

Cyrillic Belarusian subtitles and captions to go with the recording, spelled consistently with the audio.

100+ languages under one roof

London studios + global talent network

5.0★ from 149 reviews

Content types

Belarusian voice over for every kind of content

Whatever you're making, we cast the right voice in Belarusian. Explore by use case.

Most common questions

Which Belarusian orthography should we use?

It depends who you are talking to. Narkamaŭka is the official standard, produced by the 1933 reform, and is what state institutions, textbooks and official media use. Taraškievica, the classical orthography from Taraškievič's 1918 grammar, is used by parts of the diaspora and by independent publishing. Readers notice which one a text uses and draw conclusions from it, so it is worth deciding on purpose. Tell us the audience and we will talk you through it.

Why record in Belarusian if everyone understands Russian?

Because comprehension is not what you are buying. Russian dominates public life in Belarus and would be understood perfectly well, so an audience reads a Belarusian recording as a deliberate choice about who you are addressing and how. That is often exactly the point for cultural, heritage and diaspora work. It also means the read has to be good enough to justify the choice, which is how we direct it.

What is trasianka and does it matter for our recording?

It is the mixed Belarusian-Russian speech that is very common in everyday use. In conversation it is entirely normal. In institutional, cultural or broadcast material it is not, because the register slides and a listener hears it. An under-directed read drifts that way naturally, so it is one of the specific things we brief against and check for before delivery.

Can a Russian voice actor cover Belarusian?

No. They are related East Slavic languages and a Russian speaker will follow a fair amount, but the pronunciation is distinctly different and a Belarusian audience hears a Russian reader immediately. Given that choosing Belarusian is itself a statement, having it read by someone who is not a native rather defeats the purpose. If your project needs both languages, we record each with its own talent and can run the sessions together.

How big is your Belarusian roster?

Small — one voice on the books at the moment, and we are actively recruiting. We would rather say that now than at shortlist stage. In practice we treat every Belarusian brief as a casting job: you tell us the register and the audience, we go to our wider network, and we come back with bespoke auditions rather than pushing you towards a voice that nearly fits.

Do you have female Belarusian voices?

Not on the roster at the moment — our current Belarusian voice is male. If your project needs a female read, say so when you brief us and we will go to our wider network and come back honestly about what we can arrange and in what timeframe, rather than leaving you to find out at shortlist stage.

Can I direct the session remotely?

Yes, and for Belarusian that is the arrangement — our talent records through our global network rather than in our London studios. You can direct live over Source-Connect, Zoom or Teams, so you hear takes as they happen and can adjust the read on the spot.

What do you use Belarusian voice over for?

Cultural and heritage content, documentary and broadcast narration, museum and exhibition material, diaspora and independent media, eLearning, and corporate video for organisations addressing a Belarusian-speaking audience.

Can you deliver to our platform's audio specification?

Whatever the platform takes for your Belarusian files: WAV, MP3 or separated stems, mastered to the loudness figure you give us.

What do you need from us to quote Belarusian voice over?

Less than people expect: the script, or the draft of it, its total running time or word count, where the recording will be used, and the date you need it by. If the script is not signed off yet, send the draft anyway — we would rather quote on what exists than wait for a version that eats your deadline. A named project manager comes back with an itemised quote, normally within four working hours.

How quickly will we hear back, and who will we be dealing with?

More than half of enquiries get a reply within thirty minutes during office hours (Monday to Friday, 9am to 6pm UK time), and the itemised quote normally follows within four working hours. After that you have one dedicated project manager who owns the job from brief to final file — not a ticket queue, and not a different name on every email. If it is easier, call +44 207 095 5730 and ask for them by name.

We are still pitching and the budget is not signed off. Can we still get a Belarusian quote?

Yes, and it is one of the commonest reasons people get in touch. Tell us it is for a pitch and you get a figure you can put in front of your own client, itemised so it stands up to being picked apart, with no obligation and no follow-up sales calls if the pitch goes elsewhere. If it lands, the quote still holds and we already know the project.

Complete your regional coverage

Services that pair with Belarusian

From £400

/ €500 / $550

per hour in the recording studio

That hourly rate is the Basic Studio Fee: the recording session itself, with the voice actor, the casting, the direction, the studio and the engineer included. Any buyout — the usage fee — is added on top and quoted separately: it depends on the markets the recording runs in, the media it runs on and how long you licence it for. Every line is itemised, and all of it carries our Price Match Promise.

Belarusian, spelled the way your audience expects

Tell us who you're addressing and we'll advise on the orthography and cast the read — with a free, no-obligation quote.

The complete solution to localise your content

Voice over

  • State-of-the-art studios
  • Neumann microphones
  • On-hand sound engineers
  • 1,000+ voice actors
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Translation

  • 100+ languages covered
  • Tailored to your needs
  • Stringent quality control
  • Dedicated project managers
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Subtitling

  • Experienced subtitlers
  • Industry-standard software
  • Burn-in and graphic editing
  • Open and closed captions
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Transcription

  • Improve accessibility
  • Reach a wider audience
  • Boost SEO and video views
  • Maximise video engagement
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★★★★★5.0 · from 149 reviews · 24–48h